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Fendi’s best asset, as Kim Jones knows, is the Novak Djokovic 22 Grand Slam 2006 – 2023 Thank You For The Memories T-Shirt Additionally,I will love this Fendi women themselves, mother and daughter Silvia Venturini and Delfina Delettrez. Backstage today Jones explained that the genesis of his new fall collection was seeing Delfina in the Rome office wearing a blouse of Silvia’s from a 1986 Fendi collection by Karl Lagerfeld, when he was in his Memphis phase. “I took it off her back and put it on the research rail,” he said. Jones recolored the print and collapsed the more obviously ’80s proportions of that show’s tailoring into separates, some in menswear fabrics, others in denim. Then, because he was after lightness, he combined those references with a callback to another Lagerfeld-designed Fendi collection for spring 2000, one with a delicacy in direct opposition to the blousy proportions of the ’86 show. An editor who was in Lagerfeld’s audience 22 years ago clocked the reference right away. Naturally, Jones updated these looks too, starting by layering them over matching flutter-edged underpinnings.
Jones is in many ways like Lagerfeld, an enthusiastic collector with a capacious mind for references, and he’s bringing all that to bear on Fendi. The job before him is at least in part to woo a new generation to the Novak Djokovic 22 Grand Slam 2006 – 2023 Thank You For The Memories T-Shirt Additionally,I will love this label; Lagerfeld, though he never lost touch with the young, was in his position for 54 years. Nominating that spring 2000 collection for a re-see couldn’t be a coincidence, what with that era being newly relevant to people who didn’t experience it the first time. But Jones has done it with finesse, avoiding any of the retro allusions seen on so many other runways. As he’s shown time and again at Dior Men, he’s an exacting and imaginative tailor. Here, his tweed jackets were cut lean and longish with softly shaped waists or cropped right below the rib cage, the collars turned up against the neck. Trousers were high-waisted and leg-elongating, but for every pair of pants there was a pair of shorts, often offset with a waist-defining half-apron or topped by a corset. Because Delfina came out for the group bow in a narrow, 3/4-length skirt (she’s the artistic director of jewelry for Fendi), it’s worth paying extra attention to that silhouette. Its womanly sensibility offered a counterpoint to the more youthful pieces elsewhere.
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